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Dance Star Matthew Ball on Demanding Roles and Online Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his arms muscular beneath a plain white T-shirt. During performances, ballet dancers can seem like powerful deities, yet frequently offstage they are small. Not so Ball, whose height is part of his demand for heroic roles and pas de deux work. With delicate traits and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal ridicule for his childhood interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has relished tackling substantial characters, particularly the psychological turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured role is as himself, in an "Evening With" event aiming to offer intimate insights into a dancer's craft. He will walk the audience through a part, showing his mental process during performance. Even in lighter ballets, the test is profound. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Mental Struggle and After the Show Emotions

How does he feel following a show, when he has succeeded? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed later. After an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Formative Motivations and Artistic Inspirations

His tenacity stemmed from youthful experiences. Not excelling in contests at school made him "vengeful!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

An upcoming challenge is making his own choreography. In his view, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, compositions, and painting.

Intimate Performance and Private Dynamic

He additionally favors presenting dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On Instagram, fans can see videos from his projects and images that highlight a athletic form. Does he mind that the response can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—something that can be seen on various ways.

Ball describes his early self as "eager for success." Has it lived up to his expectations? "I am conscious of how life is a different thing to the aspirations you had as a young person," he reflects. He likely has another ten years of performing ahead. "I guess in the future, I want to be a bit more gentle with myself."

Written by

Haley Davis

A passionate storyteller and cultural enthusiast with a background in anthropology and journalism.

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